Conor Flynn steps off the plane at Entebbe and the heat hits him like walking into a wall of wet cloth. He’s six thousand kilometres from Ballymun, carrying fourteen months of forensic accounting in his briefcase and Tadhg O’Shea’s warning in his head: “Don’t be clever out there, Conor. Be careful.”
The oil corridor along Lake Albert is controlled by General Moses Otim — charming, intelligent, and he kills people the way other men file paperwork. Lakelands Energy PLC in the Dublin IFSC routes two hundred thousand dollars a month through Dubai to keep him happy. Conor’s job is to follow the money. His job is not to fall in love.
Sarah Nansubuga is an environmental scientist documenting what the oil extraction is doing to the land and the people. She knows the ground truth that Conor’s spreadsheets can only hint at. She also knows that the men who profit from the black gold don’t tolerate witnesses.
When Conor and Sarah’s paths collide, the investigation and the attraction become inseparable. The oil runs black. The blood runs red. And the conspiracy they’re about to expose has already decided they’re expendable.
A new hero arrives in Uganda. Conor Flynn — forensic accountant, Ballymun native, and the man Tadhg O’Shea trusts enough to send into the heart of the conspiracy — lands at Entebbe with colour-coded spreadsheets and a devastating diagram connecting Dublin money to Ugandan blood.
Working with Inspector Joseph Musoke, Conor follows the money trail from Lakelands Energy through Dubai shell companies to General Otim’s security apparatus. But spreadsheets don’t capture what the extraction is doing to communities along Lake Albert — for that, he needs Sarah Nansubuga, whose environmental research documents the human cost the corporations refuse to see.
As the investigation deepens and the attraction between Conor and Sarah intensifies, the conspiracy fights back. In a landscape where oil money buys silence and generals buy loyalty, following the truth to its conclusion may cost Conor and Sarah everything — including each other.
“The sky over Entebbe was enormous — not the cautious, rain-promising thing that sat on Dublin like a grey lid but something vast and theatrical, stacked with clouds that looked like they’d been painted by someone showing off.”
— Black Gold, Chapter 1